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She looked at Sir William, and with that look her face underwent a change—the change that had amazed Mr Lawrence, that transformation of beauty into alternate idiocy and bright-eyed madness, that marvellous facial motion which had done more to convince her kidnapper that his act had driven her mad than all the rest of her impersonations put together. Her rich and beautiful eyelids seemed to shrink up into the sockets in which her eyes were lodged; the eyes themselves seemed to sparkle with the uninterpretable passions of the afflicted[Pg 379] brain; the faint bloom which her cheek wore when she stepped on board faded as the picture of a red rose overhanging its reflection in water disappears at the blurring by the wind of its liquid mirror. Her lips were elongated and parted, and grey with tension, and her teeth, white as sea foam, were set. The whole expression of madness was incomparably life-like. He was followed by Mr Eagle, who thought it about time to relieve the Captain. "You will be very clever. I wish I could learn how to effect ends in the same way," were Nelson's closing words, as, saluting the people on the deck of the Aurora once more, he stepped back and disappeared, followed by a storm of cheers from the men of the Aurora, in which the Admiral and Captain Acton heartily joined, whilst Lucy flourished her pocket-handkerchief, though her hero was out of sight..

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"It is true, sir," said Captain Acton, "and Mr Lawrence loses nothing in my esteem by his idea and application of it. The Merchants care nothing about their sick. 'A sick man is no man's dog,' I believe, is one of their adages. Every vessel, supposing her to be above a certain tonnage, whether flying a pennant or not, should have quarters properly fitted for[Pg 161] the reception and treatment of the sick among her crew." "Erie out in her boat?" he asked, casually. "I don't hear her voice, or her whistle." Sir William Lawrence was very grave, his looks were stern, almost fierce, as he entered the boat. Captain Acton was cool and thoughtful. His brow was knitted; his lips were set. His demeanour was that of a self-possessed man confronted by a condition of things rendered complex by features extraneous to the main trouble or difficulty, yet confounding it by their existence. Lucy watched the scene from the after-part of the Aurora's quarterdeck. She stood alone in that part of the ship leaning upon the rail, and once or twice her gaze followed the boat that was bearing her father and the Admiral to the Minorca; but it was chiefly directed at the[Pg 434] barque whose length she explored for a sight of the tall figure whom she had immediately recognised as Mr Lawrence, whilst Sir William was surveying his son through his glass. She mused upon the amazing passage of her life that had filled the interval between the time of her going on board yonder ship, believing her father to be lying dangerously injured in her, down to the hour of her transference to the Whitby brig. Never was her pensive beauty more fascinating than now, whilst her soft dark eyes brooded upon the ship that had been her floating prison. What would Mr Lawrence say or think when he came to understand that her madness was feigned, a dramatic stratagem to obtain liberty and restoration? How would he—but how could he—face his father whom he had degraded, and her father whom he had robbed and wronged? "I could swear to one of them as the Superb," said Captain Acton, who had also taken a prolonged view of the ships through his glass. "She is a slow sailer. I know that she is rotten to the core for want of a dockyard. If I am not greatly mistaken, her stun-sail booms are lashed to the yards, and she is the only one with stun-sails set, which means that her rotting keel marks the pace for the rest. Hoist our colours! We'll chance it.".